operatraveller.com

Operatic wanderer | Flâneur lyrique

Menu Skip to content
  • Live Reviews
  • Interviews
  • Audio & Video Recordings
  • Travel Stuff
  • Random
  • About
  • Support

Month: May 2013

2013/05/052017/11/18 operatraveller

The Verdian Line

Support Operatraveller.com

  • Help support operatraveller.com with a one-off gesture on PayPal

Enter your email address to follow Operatraveller.com and receive notifications of new content by email.

Latest tweets

  • Je souhaite à tous mes compatriotes une excellente fête nationale! https://t.co/HyVRJxmWZV 2 days ago
  • This is an ad on a bus offering banking services to new arrivals. It’s really quite inspirational & inclusive. Coul… twitter.com/i/web/status/1… 3 days ago
  • Last night’s Mahler 3 was highly satisfying but what it also made clear was the phenomenal acoustic of the Maison s… twitter.com/i/web/status/1… 3 days ago
  • 6 years to the day when our future was taken away from us by far-right liars & charlatans, who now sit at the highe… twitter.com/i/web/status/1… 3 days ago
  • Je suis à la Maison symphonique de la @Place_des_Arts pour la 3ème symphonie de Mahler, jouée par @OrchestreAgora e… twitter.com/i/web/status/1… 4 days ago
Follow @operatraveller

Instagram

Curtain call after Mahler 3 from the @orchestredelagora Nicolas Ellis led a reading of lyrical beauty achieving a string tone of ravishing depth. Marie-Nicole Lemieux took us deep into the heart of the dark night of the soul in her ‘Oh Mensch’ and the superbly-trained choruses sang in excellent German. The piece sounded absolutely glorious in the phenomenal acoustic of the Maison symphonique #concert #music #musique #Mahler
Je suis à la Maison symphonique de la @Place_des_Arts pour la 3ème symphonie de Mahler, jouée par @OrchestreAgora et dirigée par Nicolas Ellis, avec la participation exceptionnelle de notre diva nationale, Marie-Nicole Lemieux #music #musique #Mahler #concert
Sometimes the best views are above the ground #montblanc #montebianco #mountains #alps #snow
Curtain calls after La Gioconda @teatroallascala Notable for the excellence of the house orchestra & chorus. The staging was very visual #opera #operatravelling
I know I’ve said it before but being here is always special #opera #operatravelling
I’m at the legendary @teatroallascala for La Gioconda with Churilova, La Colla, Frontali, Schrott, Barcellona, Chiuri & more. Chaslin conducts Livermore’s staging #opera #operatravelling

Search

Blogs

  • Boulezian
  • Classical Iconoclast
  • Definitely the Opera
  • Il Tenero Momento
  • Lietofinelondon
  • Opera Obsession
  • Opera Ramblings
  • Opera with Pearls
  • Parterre
  • Regie, or not Regie?
  • Ring5opera
  • The Operatunist
  • The Passacaglia Test

Theatres & Venues

  • Atelier lyrique de Tourcoing
  • Badisches Staatstheater, Karlsruhe
  • Barbican Centre, London
  • Bayerische Staatsoper, Munich
  • Canadian Opera Company, Toronto
  • Concertgebouw Amsterdam
  • Concertgebouw Brugge
  • De Munt – La Monnaie, Brussels
  • De Nationale Opera, Amsterdam
  • Deutsche Oper, Berlin
  • English National Opera
  • English Touring Opera
  • Festival d'Aix-en-Provence
  • Festival Donizetti Opera
  • Festspielhaus Baden-Baden
  • Gran Teatre del Liceu, Barcelona
  • Komische Oper, Berlin
  • Kongelige Teater, Copenhagen
  • Konzerthaus Dortmund
  • Lyric Opera, Chicago
  • Nationaltheater Mannheim
  • Northern Ireland Opera
  • Opéra de Bordeaux
  • Opéra de Lausanne
  • Opéra de Montréal
  • Opéra de Paris
  • Opéra Royal de Wallonie, Liège
  • Oper Frankfurt
  • Oper Leipzig
  • Oper Stuttgart
  • Opera Krakowska
  • Opera Vlaanderen
  • Opernhaus Zürich
  • Palau de les Arts, València
  • Philharmonie de Paris
  • Royal Opera House
  • San Francisco Opera
  • Semperoper Dresden
  • Southbank Centre, London
  • Staatsoper Berlin
  • Staatsoper Hamburg
  • Staatstheater Darmstadt
  • Staatstheater Nürnberg
  • Stadttheater Klagenfurt
  • Teatr Wielki – Opera Narodowa, Warsaw
  • Teatro alla Scala, Milan
  • Teatro Comunale di Bologna
  • Teatro de la Maestranza, Seville
  • Teatro Real, Madrid
  • Théâtre des Champs-Elysées, Paris
  • Théâtre du Capitole, Toulouse
  • Theater an der Wien, Vienna
  • Theater Basel
  • Theater Bonn
  • Theater St Gallen
  • Wiener Staatsoper
  • Wigmore Hall, London

Tags

Alex Esposito Andreas Schager Anja Harteros Anna Bonitatibus Antonio Pappano Ausrine Stundyte Barrie Kosky Bayerisches Staatsorchester Berlioz Calixto Bieito Carmen Charles Castronovo Chor der Bayerischen Staatsoper Chor der Deutschen Oper Berlin Chor der Hamburgischen Staatsoper Chorsolisten der Komischen Oper Berlin Christof Loy Cor de la Generalitat Valenciana Damiano Michieletto Der Rosenkavalier Donald Runnicles Don Giovanni Donizetti Elektra Eric Cutler Ermonela Jaho Evelyn Herlitzius Fidelio Gregory Kunde Günter Papendell Interview Jenůfa Jeremy White Johan Reuter Jérémie Rhorer. Karina Gauvin Karita Mattila Kent Nagano Kevin Conners Kirill Petrenko Krzysztof Warlikowski Le Cercle de l'Harmonie Le Nozze di Figaro Les Contes d’Hoffmann Les Troyens Luca Pisaroni Macbeth Marie-Nicole Lemieux Mariusz Kwiecien Michael Nagy Mozart Orchester der Deutschen Oper Berlin Orchester der Komischen Oper Berlin Orchestra del Teatro alla Scala Orchestra of the Royal Opera House Otello Pavol Breslik Philharmonisches Staatsorchester Hamburg Puccini Robert Carsen Rossini Royal Opera Chorus Russell Thomas Simon Rattle Sondra Radvanovsky Strauss Stéphane Degout Tchaikovsky Tosca Tristan und Isolde Verdi Violeta Urmana Véronique Gens Wagner Yevgeny Onegin

Archives

  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • June 2012
  • March 2012
  • December 2011
  • October 2011
  • August 2011
  • June 2011
  • March 2011
  • November 2010
Blog at WordPress.com.
  • Follow Following
    • operatraveller.com
      • Join 253 other followers
    • Already have a WordPress.com account? Log in now.
    • operatraveller.com
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar