2020/11/29 operatraveller

Doing Anything for Love: Rusalka from the Teatro Real, Madrid

2020/08/31 operatraveller

Operatraveller’s Hot Operatic Tips for 2020 – 21

2020/03/222020/05/25 operatraveller

Impossible Escape: Fidelio from the Theater an der Wien

2019/12/262019/12/27 operatraveller

Review of 2019

2019/12/212020/05/08 operatraveller

Those we have Loved: Les Contes d’Hoffmann at La Monnaie – De Munt

2019/08/18 operatraveller

Operatraveller’s Hot Operatic Tips for 2019 – 20

2019/01/06 operatraveller

Narrative Clarity and Sweeping Vocalism: Die Frau ohne Schatten at the Staatsoper Hamburg

2018/12/262018/12/26 operatraveller

Review of 2018

2018/07/152018/07/15 operatraveller

Theatrical Clutter and Vocal Excellence: Ariadne auf Naxos at the Festival d’Aix-en-Provence

2018/05/052018/05/08 operatraveller

Germany, Year Zero: Lohengrin at La Monnaie – De Munt

2017/12/262017/12/26 operatraveller

Review of 2017

2017/08/142018/04/02 operatraveller

Operatraveller’s Hot Operatic Tips for 2017 – 2018

2017/02/122017/02/12 operatraveller

Interview with Eric Cutler

2017/01/08 operatraveller

Things that come in threes: Les Contes d’Hoffmann at the Semperoper, Dresden

2016/12/262017/07/24 operatraveller

2016 in review

2016/10/25 operatraveller

Prisoners: Fidelio at the Oper Stuttgart

2016/08/142017/03/16 operatraveller

Operatraveller’s Hot Operatic Tips for 2016 – 2017

2016/06/122016/06/12 operatraveller

Bucolic and bittersweet: Daphne at the Hamburgische Staatsoper

2015/08/192016/06/23 operatraveller

Operatraveller’s Hot Operatic Tips for 2015 – 2016

2015/06/212015/06/21 operatraveller

Oppressive Masculinity: Bieito’s Carmen at ENO