operatraveller.com

Operatic wanderer | Flâneur lyrique

Menu Skip to content
  • Live Reviews
  • Interviews
  • Audio & Video Recordings
  • Travel Stuff
  • Random
  • About
  • Support

Tag: Interview

2019/05/172019/07/11 operatraveller

Interview with Evelyn Herlitzius

2019/02/03 operatraveller

Interview with Sara Mingardo

2018/11/27 operatraveller

Interview with Luca Pisaroni

2018/08/28 operatraveller

Interview with David Hansen

2018/06/02 operatraveller

Interview with Clémentine Margaine

2018/05/28 operatraveller

Interview with Jonathan McGovern

2018/02/262018/02/28 operatraveller

Interview with Lioba Braun

Posts navigation

Older posts

Support Operatraveller.com

  • Help support operatraveller.com by visiting the site's Patreon page
  • Help support operatraveller.com with a one-off gesture on PayPal

Enter your email address to follow Operatraveller.com and receive notifications of new content by email.

Latest tweets

  • Axel Kober made the score sound even more modern & forward looking than I’ve heard before. I heard echoes of compos… twitter.com/i/web/status/1… 12 hours ago
  • And a lovely Nannetta from Elbenita Kajtazi who floated those high sustained lines with wonderful ease. Oleksiy Paichykov an ardent Fenton 12 hours ago
  • Markus Brück was a livewire Ford while Maija Kovalevska was a delightfully lyrical Alice. Nadezhda Karyazina a glam… twitter.com/i/web/status/1… 12 hours ago
  • Maestri *is* Falstaff singing & acting here with even more freedom than I’ve seen from him before. 12 hours ago
  • Loved tonight’s #FalstaffHH An intelligent staging with fully lived in characters & so many clever little details.… twitter.com/i/web/status/1… 12 hours ago
Follow @operatraveller

Instagram

Curtain call after a brilliant and life-enhancing Falstaff @staatsoperhamburg with a cast who looked to be having the time of their lives. So many clever little touches & fully-rounded characters. Ambrogio Maestri completely incarnated the title role. Just a shame about the moronic idiots who booed the production team, totally killed the uplifting buzz for everyone else #opera #operatravelling
‪Tutto nel mondo è burla. I’m @staatsoperhamburg for Falstaff with Maestri, Brück, Kovalevska, Karyazina, Palchykov, Kajtazi & many more. Kober conducts this premiere of Bieito’s new staging. ‬#opera #operatravelling #revereeeeeeeeeeeenza
No caption and no filter necessary #operatravelling
Curtain call after an exciting and very loud Andrea Chénier @deutscheoperberlin Notable for Anja Harteros pouring her heart out in ‘la mamma morta’ and the two leading gents creating significant amounts of volume. Did I mention it was loud? #opera #Operatravelling
With an unplanned and unexpected extra night in Berlin I’m @deutscheoperberlin for Andrea Chénier with Muehle, Harteros, Burdenko & many, many more. Angelico conducts Dew’s staging. #opera #operatravelling
Curtain call after Jenůfa @deutscheoperberlin notable for the great Evelyn Herlitzius as an utterly compelling Kostelnička who made every thing her character did so scarily believable. Rachel Harnisch a lyrical, peaches and cream Jenůfa & Robert Watson who made Laca so much more complex than we often see. I have significant reservations about Runnicles’ conducting but I’ll keep those for the review. That said, the quality of orchestral playing was superb #opera #operatravelling

Search

Blogs

  • Boulezian
  • Classical Iconoclast
  • Definitely the Opera
  • Il Tenero Momento
  • Lietofinelondon
  • Opera Obsession
  • Opera Ramblings
  • Opera with Pearls
  • Parterre
  • Regie, or not Regie?
  • Ring5opera
  • The Operatunist
  • The Passacaglia Test

Theatres & Venues

  • Atelier lyrique de Tourcoing
  • Badisches Staatstheater, Karlsruhe
  • Barbican Centre, London
  • Bayerische Staatsoper, Munich
  • Canadian Opera Company, Toronto
  • Concertgebouw Amsterdam
  • Concertgebouw Brugge
  • De Munt – La Monnaie, Brussels
  • De Nationale Opera, Amsterdam
  • Deutsche Oper, Berlin
  • English National Opera
  • English Touring Opera
  • Festival d'Aix-en-Provence
  • Festival Donizetti Opera
  • Festspielhaus Baden-Baden
  • Gran Teatre del Liceu, Barcelona
  • Komische Oper, Berlin
  • Kongelige Teater, Copenhagen
  • Konzerthaus Dortmund
  • Lyric Opera, Chicago
  • Nationaltheater Mannheim
  • Northern Ireland Opera
  • Opéra de Bordeaux
  • Opéra de Lausanne
  • Opéra de Montréal
  • Opéra de Paris
  • Opéra Royal de Wallonie, Liège
  • Oper Frankfurt
  • Oper Leipzig
  • Oper Stuttgart
  • Opera Krakowska
  • Opera Vlaanderen
  • Opernhaus Zürich
  • Palau de les Arts, València
  • Philharmonie de Paris
  • Royal Opera House
  • San Francisco Opera
  • Semperoper Dresden
  • Southbank Centre, London
  • Staatsoper Berlin
  • Staatsoper Hamburg
  • Staatstheater Darmstadt
  • Staatstheater Nürnberg
  • Stadttheater Klagenfurt
  • Teatr Wielki – Opera Narodowa, Warsaw
  • Teatro alla Scala, Milan
  • Teatro Comunale di Bologna
  • Teatro de la Maestranza, Seville
  • Teatro Real, Madrid
  • Théâtre des Champs-Elysées, Paris
  • Théâtre du Capitole, Toulouse
  • Theater an der Wien, Vienna
  • Theater Basel
  • Theater Bonn
  • Theater St Gallen
  • Wiener Staatsoper
  • Wigmore Hall, London

Tags

Alex Esposito Andreas Schager Anja Harteros Anna Bonitatibus Antonio Pappano Ariadne auf Naxos Ausrine Stundyte Barrie Kosky Bayerisches Staatsorchester Berlioz Calixto Bieito Carmen Charles Castronovo Chor der Bayerischen Staatsoper Chor der Deutschen Oper Berlin Chor der Hamburgischen Staatsoper Chorsolisten der Komischen Oper Berlin Cor de la Generalitat Valenciana Damiano Michieletto Der Rosenkavalier Donald Runnicles Don Carlo Don Giovanni Donizetti Elektra Eric Cutler Ermonela Jaho Evelyn Herlitzius Gregory Kunde Interview Iréne Theorin Janacek Jeremy White Johan Reuter Jonathan McGovern Joyce DiDonato Jérémie Rhorer. Karina Gauvin Karita Mattila Kevin Conners Kirill Petrenko Krzysztof Warlikowski La Clemenza di Tito Le Cercle de l'Harmonie Le Nozze di Figaro Leo Hussain Les Contes d’Hoffmann Les Troyens Marie-Nicole Lemieux Mariusz Kwiecien Michael Nagy Mozart Nahuel di Pierro Orchester der Deutschen Oper Berlin Orchester der Komischen Oper Berlin Orchestra of the Royal Opera House Orquestra Simfònica del Gran Teatre del Liceu Otello Pavol Breslik Philharmonisches Staatsorchester Hamburg Puccini René Jacobs Royal Opera Chorus Russell Thomas Strauss Stéphane Degout Tareq Nazmi Tosca Tristan und Isolde Verdi Violeta Urmana Véronique Gens Wagner Willard White Yevgeny Onegin

Archives

  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • June 2012
  • March 2012
  • December 2011
  • October 2011
  • August 2011
  • June 2011
  • March 2011
  • November 2010
Blog at WordPress.com.
operatraveller.com
Blog at WordPress.com.
Cancel