operatraveller.com

Operatic wanderer | Flâneur lyrique

Menu Skip to content
  • Live Reviews
  • Interviews
  • Audio & Video Recordings
  • Travel Stuff
  • Random
  • About
  • Support

Tag: Benjamin Bernheim

2018/12/262018/12/26 operatraveller

Review of 2018

2018/10/24 operatraveller

Searching for the Hereafter: The Verdi Requiem at the Royal Opera House

2018/08/162018/08/16 operatraveller

Operatraveller’s Hot Operatic Tips for 2018 – 19

2018/06/152018/06/15 operatraveller

Living Drama and Original Thoughts; Faust (1859) at the Théâtre des Champs-Élysées

2017/12/262017/12/26 operatraveller

Review of 2017

2017/11/182017/11/25 operatraveller

Interview with Benjamin Bernheim

2017/10/072017/10/07 operatraveller

Snowy Romance Resumed: A second viewing of La Bohème at the Royal Opera House

Support Operatraveller.com

  • Help support operatraveller.com by visiting the site's Patreon page
  • Help support operatraveller.com with a one-off gesture on PayPal

Enter your email address to follow Operatraveller.com and receive notifications of new content by email.

Latest tweets

  • I saw an extraordinary Elektra @operzuerich last night, with an incarnation of the title role of staggering insight… twitter.com/i/web/status/1… 1 day ago
  • This was the end of of my 2018/19 operagoing. Thanks for being along for the ride and an especially big thanks to m… twitter.com/i/web/status/1… 2 days ago
  • I said I’d never ever take @easyJet again but was tempted because I could avoid a hotel night in Züri. Now the fli… twitter.com/i/web/status/1… 2 days ago
  • Simone Young’s conducting definitely gave us decibels but what struck me also was how she brought out the intricaci… twitter.com/i/web/status/1… 2 days ago
  • Fortunately the supporting cast was very strong. Tamara Wilson poured out streams of ecstatic tone & Christof Fisch… twitter.com/i/web/status/1… 2 days ago
Follow @operatraveller

Instagram

Curtain call after a thrilling Elektra @operzuerich dominated by Evelyn Herlitzius on staggering form finding even more truth in her character than ever before. Superb conducting from Simone Young and a very strong cast made this the best possible end to my 2018/9 opera season #opera #operatravelling
‪I’m @operzuerich for Elektra with the great Herlitzius, Wilson, Meier, Fischesser, Laurenz and more. Young conducts Kušej’s by now familiar staging ‬#opera #operatravelling
Curtain call after a revelatory Mozart Requiem staged by Romeo Castellucci @festivalaix Musically it was superlative with @ensemblepygmalion singing with staggering accuracy despite a very busy staging. #opera #operatravelling
I’m @festivalaix for the Mozart Requiem staged by Castellucci with Stagg, Mingardo, Mitterrutzner, Tittoto. Pichon conducts Pygmalion orchestra & chorus. #opera #operatravelling
Another shot of this beautiful city at dusk on my way to @festivalaix #operatravelling
Dusk falling on this magical city. It’s always a real pleasure to be here for @festivalaix Merci et à l’année prochaine #opera #operatravelling

Search

Blogs

  • Boulezian
  • Classical Iconoclast
  • Definitely the Opera
  • Il Tenero Momento
  • Lietofinelondon
  • Opera Obsession
  • Opera Ramblings
  • Opera with Pearls
  • Parterre
  • Regie, or not Regie?
  • Ring5opera
  • The Operatunist
  • The Passacaglia Test

Theatres & Venues

  • Atelier lyrique de Tourcoing
  • Badisches Staatstheater, Karlsruhe
  • Barbican Centre, London
  • Bayerische Staatsoper, Munich
  • Canadian Opera Company, Toronto
  • Concertgebouw Amsterdam
  • Concertgebouw Brugge
  • De Munt – La Monnaie, Brussels
  • De Nationale Opera, Amsterdam
  • Deutsche Oper, Berlin
  • English National Opera
  • English Touring Opera
  • Festival d'Aix-en-Provence
  • Festival Donizetti Opera
  • Festspielhaus Baden-Baden
  • Gran Teatre del Liceu, Barcelona
  • Komische Oper, Berlin
  • Kongelige Teater, Copenhagen
  • Konzerthaus Dortmund
  • Lyric Opera, Chicago
  • Nationaltheater Mannheim
  • Northern Ireland Opera
  • Opéra de Bordeaux
  • Opéra de Lausanne
  • Opéra de Montréal
  • Opéra de Paris
  • Opéra Royal de Wallonie, Liège
  • Oper Frankfurt
  • Oper Leipzig
  • Oper Stuttgart
  • Opera Krakowska
  • Opera Vlaanderen
  • Opernhaus Zürich
  • Palau de les Arts, València
  • Philharmonie de Paris
  • Royal Opera House
  • San Francisco Opera
  • Semperoper Dresden
  • Southbank Centre, London
  • Staatsoper Berlin
  • Staatsoper Hamburg
  • Staatstheater Darmstadt
  • Staatstheater Nürnberg
  • Stadttheater Klagenfurt
  • Teatr Wielki – Opera Narodowa, Warsaw
  • Teatro alla Scala, Milan
  • Teatro Comunale di Bologna
  • Teatro de la Maestranza, Seville
  • Teatro Real, Madrid
  • Théâtre des Champs-Elysées, Paris
  • Théâtre du Capitole, Toulouse
  • Theater an der Wien, Vienna
  • Theater Basel
  • Theater Bonn
  • Theater St Gallen
  • Wiener Staatsoper
  • Wigmore Hall, London

Tags

Alex Esposito Anja Harteros Anna Bonitatibus Antonio Pappano Ariadne auf Naxos Barrie Kosky Bayerisches Staatsorchester Berlioz Calixto Bieito Carmen Charles Castronovo Chor der Bayerischen Staatsoper Chor der Deutschen Oper Berlin Chorsolisten der Komischen Oper Berlin Christine Goerke Cor de la Generalitat Valenciana Cor del Gran Teatre del Liceu Der Rosenkavalier Donald Runnicles Don Carlo Don Giovanni Donizetti Elektra Eric Cutler Ermonela Jaho Evelyn Herlitzius Freiburger Barockorchester Gregory Kunde Heike Grötzinger Interview Iréne Theorin Jeremy White Johan Reuter Jonathan McGovern Joyce DiDonato Jérémie Rhorer. Karina Gauvin Karita Mattila Kasper Holten Kevin Conners Kirill Petrenko Krzysztof Warlikowski La Clemenza di Tito Le Cercle de l'Harmonie Le Nozze di Figaro Leo Hussain Les Contes d’Hoffmann Les Troyens Luca Pisaroni Marie-Nicole Lemieux Mariusz Kwiecien Mozart Orchester der Deutschen Oper Berlin Orchester der Komischen Oper Berlin Orchestra of the Royal Opera House Orquestra Simfònica del Gran Teatre del Liceu Otello Pavol Breslik Puccini René Jacobs Robert Carsen Royal Opera Chorus Russell Thomas Sondra Radvanovsky Stanislas de Barbeyrac Strauss Tareq Nazmi Tchaikovsky Tosca Verdi Violeta Urmana Véronique Gens Wagner Willard White Yevgeny Onegin

Archives

  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • June 2012
  • March 2012
  • December 2011
  • October 2011
  • August 2011
  • June 2011
  • March 2011
  • November 2010
Blog at WordPress.com.