operatraveller.com

Operatic wanderer | Flâneur lyrique

Menu Skip to content
  • Live Reviews
  • Interviews
  • Audio & Video Recordings
  • Travel Stuff
  • Random
  • About
  • Support

Tag: Per Høyer

2015/11/222016/01/04 operatraveller

Drama, emotion and musicality: Il Trittico at Det Kongelige Teater, Copenhagen

2014/11/152014/11/26 operatraveller

Binaries: The Royal Danish Opera’s Lady Macbeth of Mtsensk

Support Operatraveller.com

  • Help support operatraveller.com with a one-off gesture on PayPal

Enter your email address to follow Operatraveller.com and receive notifications of new content by email.

Latest tweets

Tweets by operatraveller

Instagram

I’m delighted to be back @Teatro_Real for Il turco in Italia with Esposito, Oropesa, Kiria , Rocha, Sempey, Gardina, García-López. Sagripanti conducts Pelly’s staging #opera #operatravelling
Curtain call after Le nozze di Figaro @operaballetvlaanderen A show with a significant local flavour that everyone around me seemed to love. I have a lot of thoughts but will keep them for the review. Much to enjoy in Jacquot’s conducting and Karagedik’s Conte #opera #operatravelling #curtaincall
I’m delighted to be back in beautiful Gent @operaballetvlaanderen for Le nozze di Figaro with Smiljanić, Höglund, Karagedik, Ruiten, Pennisi & more. Jacquot conducts Goosens’ staging #opera #operatravelling lling
Curtain call after La fille du régiment @teatroregiotorino Notable for some splendid singing but sadly the evening was held back by Pidò’s soporific conducting lacking in forward momentum and energy. A shame because the orchestral playing was superb and the singing gave so much satisfaction #opera #operatravelling #curtaincall
The always beautiful auditorium of the @teatroregiotorino Always a pleasure to be here #opera #operatravelling
Really happy to be back at the beautiful @teatroregiotorino for La fille du régiment with Gianfaldoni, Osborn, de Candia, Custer, Andrieux, Brachetti & more. Pidò conducts Barbe & Doucet’s staging #opera #operatravelling

Search

Blogs

  • Boulezian
  • Classical Iconoclast
  • Definitely the Opera
  • Il Tenero Momento
  • Lietofinelondon
  • Opera Obsession
  • Opera Ramblings
  • Opera with Pearls
  • Parterre
  • Regie, or not Regie?
  • Ring5opera
  • The Operatunist
  • The Passacaglia Test

Theatres & Venues

  • Atelier lyrique de Tourcoing
  • Badisches Staatstheater, Karlsruhe
  • Barbican Centre, London
  • Bayerische Staatsoper, Munich
  • Canadian Opera Company, Toronto
  • Concertgebouw Amsterdam
  • Concertgebouw Brugge
  • De Munt – La Monnaie, Brussels
  • De Nationale Opera, Amsterdam
  • Deutsche Oper, Berlin
  • English National Opera
  • English Touring Opera
  • Festival d'Aix-en-Provence
  • Festival Donizetti Opera
  • Festspielhaus Baden-Baden
  • Gran Teatre del Liceu, Barcelona
  • Komische Oper, Berlin
  • Kongelige Teater, Copenhagen
  • Konzerthaus Dortmund
  • Lyric Opera, Chicago
  • Nationaltheater Mannheim
  • Northern Ireland Opera
  • Opéra de Bordeaux
  • Opéra de Lausanne
  • Opéra de Montréal
  • Opéra de Paris
  • Opéra Royal de Wallonie, Liège
  • Oper Frankfurt
  • Oper Leipzig
  • Oper Stuttgart
  • Opera Krakowska
  • Opera Vlaanderen
  • Opernhaus Zürich
  • Palau de les Arts, València
  • Philharmonie de Paris
  • Royal Opera House
  • San Francisco Opera
  • Semperoper Dresden
  • Southbank Centre, London
  • Staatsoper Berlin
  • Staatsoper Hamburg
  • Staatstheater Darmstadt
  • Staatstheater Nürnberg
  • Stadttheater Klagenfurt
  • Teatr Wielki – Opera Narodowa, Warsaw
  • Teatro alla Scala, Milan
  • Teatro Comunale di Bologna
  • Teatro de la Maestranza, Seville
  • Teatro Real, Madrid
  • Théâtre des Champs-Elysées, Paris
  • Théâtre du Capitole, Toulouse
  • Theater an der Wien, Vienna
  • Theater Basel
  • Theater Bonn
  • Theater St Gallen
  • Wiener Staatsoper
  • Wigmore Hall, London

Tags

Alex Esposito Andreas Schager Anja Harteros Anna Bonitatibus Antonio Pappano Barrie Kosky Bayerisches Staatsorchester Berlioz Calixto Bieito Carmen Charles Castronovo Chor der Bayerischen Staatsoper Chor der Deutschen Oper Berlin Chor der Hamburgischen Staatsoper Chorsolisten der Komischen Oper Berlin Christof Loy Cor de la Generalitat Valenciana Damiano Michieletto Der Rosenkavalier Donald Runnicles Don Carlo Don Giovanni Donizetti Elektra Eric Cutler Ermonela Jaho Evelyn Herlitzius Fidelio Gluck Gregory Kunde Günter Papendell Interview Jenůfa Johan Reuter Jérémie Rhorer. Karina Gauvin Karita Mattila Kent Nagano Kevin Conners Kirill Petrenko Krzysztof Warlikowski Le Cercle de l'Harmonie Le Nozze di Figaro Les Contes d’Hoffmann Les Troyens Luca Pisaroni Macbeth Marie-Nicole Lemieux Mariusz Kwiecien Michael Nagy Mozart Orchester der Deutschen Oper Berlin Orchester der Komischen Oper Berlin Orchestra of the Royal Opera House Orquestra Simfònica del Gran Teatre del Liceu Otello Pavol Breslik Philharmonisches Staatsorchester Hamburg Puccini Robert Carsen Rossini Royal Opera Chorus Russell Thomas Sondra Radvanovsky Strauss Stéphane Degout Symfonisch Orkest Opera Ballet Vlaanderen Tchaikovsky Tosca Tristan und Isolde Verdi Violeta Urmana Véronique Gens Wagner Yevgeny Onegin

Archives

  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • June 2012
  • March 2012
  • December 2011
  • October 2011
  • August 2011
  • June 2011
  • March 2011
  • November 2010
Blog at WordPress.com.
  • Follow Following
    • operatraveller.com
      • Join 277 other followers
    • Already have a WordPress.com account? Log in now.
    • operatraveller.com
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar